Wednesday, 17 August 2016

Rajasthani Folk Dance "Kalbeliya"

Kabeliya is one of the most sensuous dance forms of Rajasthan, performed by a tribe of the same name.They are famous for their dance which is an integral part of their culture. Both men and women in the tribe participate in this activity to celebrate joyful occasions.

Kalbelia tribe

A Rajasthani folk dance, Kalbelia
Best Dance The Kalbelias were known for their frequent movement from one place to another in ancient times. Their traditional occupation is catching snakes and trading snake venom. Hence, the dance movements and the costumes of their community bear a resemblance to that of the serpents. They are also known as Sapera, Jogira or Jogi. They trace their ancestry from Kanlipar, the 12th disciple of Guru Gorakhnath. The largest number of the population of Kalbelias is in Pali district, then AjmerChittorgarh and Udaipur district. They live a nomadic life and belong to the scheduled tribes.
Traditionally, Kalbelia men carried cobras in cane baskets from door to door in villages while their women sang and danced and begged for alms. They revere the cobra and advocate non-killing of the reptile. In the villages, if a snake inadvertently entered a home, then a Kalbelia would be summoned to catch the serpent and to take it away without killing it. Kalbelias have traditionally been a fringe group in society living in spaces outside the village where they reside in makeshift camps called deras. The Kalbelias move their deras from one place to another in a circuitous route repeated over time. Over the generations, the Kalbelias acquired a unique understanding of the local flora and fauna, and are aware of herbal remedies for various diseases which is an alternative source of income for them.
Since the enactment of the Wildlife Act of 1972, the Kalbelias have been pushed out of their traditional profession of snake handling. Today, performing arts are a major source of income for them and these have received widespread recognition within and outside India. However, performance opportunities are sporadic and since the whole community is not involved in it on a regular basis, many members of the community work in the fields, or graze cattle to sustain themselves.

Kalbelia Dance

The Kalbelia dance, performed to celebrate any joyful moment in the community, is an integral part of Kalbelia culture. Their dances and songs are a matter of pride and a marker of identity for the Kalbelias and they represent the creative adaptation of this community of snake charmers to changing socioeconomic conditions and their own role in rural Rajasthani society.
The dancers are women in flowing black skirts who dance and swirl, replicating the movements of a serpent. The upper body cloth is called Angrakhi and a piece of cloth worn on head known as Odhani similarly the lower body cloth is called Lengha. All these cloths are mixed in red and black hues and embroidered in such a way that when these dancers perform these clothes represent a combination of colours soothing to eyes as well as to the atmosphere.
The male participants take care of the musical part of the dance. They use the different instruments such as the pungi, a woodwind instrument traditionally played to capture snakes, theduflibeen, the khanjari - a percussion instrument, morchangkhuralio and the dholak to create the rhythm on which the dancers perform. The dancers are tattooed in traditional designs and wear jewelry and garments richly embroidered with small mirrors and silver thread. As the performance progresses, the rhythm becomes faster and faster and so does the dance. Kalbelia songs are based on stories taken from folklore and mythology and special dances are performed during Holi. The Kalbelia have a reputation for composing lyrics spontaneously and improvising songs during performances. These songs and dances are part of an oral tradition that is handed down generations and for which there are neither texts nor training manuals. In 2010, the Kalbelia folk songs and dances of Rajasthan were declared a part of its Intangible Heritage List by the UNESCO.











Tuesday, 16 August 2016

Villages of Rajasthan

 Rajasthani Girl
 Rajasthani Dress
 With foreign tourist
  With foreign tourist
  With foreign tourist
 Playing with the Goat
  Playing with the Goat
 Camel rides in the desert
 Child dressed as a bride
 Water is a big problem in the villages of Rajasthan. Women in villages are far away in search of water.

 Karishma Kapoor (Bollywood Actress) In Rajasthani Dress.
 Rural riding

 Villagers
 Village Girl
 Caravan

Village house
 Having fun

Mother's lap
 Let's go to the fair
Foreign tourists enjoy camel ride.





Rajasthan is a lot. So come and see once. You'll feel better . Whenever you become bored , moved to Rajasthan. Here the earth is eager to welcome you.



"Padharo Mhare Des"

Monday, 15 August 2016

Hawa Mahal, Jaipur (Rajasthan)


Hawa Mahal (English translation: "Palace of Winds" or "Palace of the Breeze") is a palace in Jaipur, India, so named because it was essentially a high screen wall built so the women of the royal household could observe street festivals while unseen from the outside. Constructed of red and pink sandstone, the palace sits on the edge of the City Palace, and extends to the zenana, or women's chambers.The structure was built in 1799 by Maharaja Sawai Pratap Singh. He was so intimidated and inspired by unique structure of Khetri Mahal and he built the grand and historical Hawa Mahal. It was designed byLal Chand Ustad in the form of the crown of Krishna, the Hindu god. Its unique five-story exterior is akin to the honeycomb of a beehive with its 953 small windows called Jharokhas decorated with intricatelattice work. The original intention of the lattice was to allow royal ladies to observe everyday life in the street below without being seen, since they had to obey strict "purdah" (face cover). The lattice also allows cool air from the Venturi effect (doctor breeze) through the intricate pattern, air conditioning the whole area during the high temperatures in summers.
In 2006, restoration and renovation works on the Mahal were undertaken, after a gap of 50 years, to give a face lift to the monument at an estimated cost of Rs 4568 million.[4] The corporate sector lent a hand to preserve the historical monuments of Jaipur and the Unit Trust of India has adopted Hawa Mahal to maintain it. The palace is an extended part of a huge complex. The stone-carved screens, small casements and arched roofs are some of the features of this popular tourist spot. The monument also has delicately modeled hanging cornices. Like several other monuments of Jaipur, the palace is also constructed using sandstone.

Architecture

Detailed view of façade from the main road
Rear view with the two most ornate top storeys
The palace is a five-storey pyramidal shaped monument that rises 50 feet (15 m) from its high base. The top three floors of the structure have a dimension of one room width while the first and second floors have patios in front of them. The front elevation, as seen from the street, is like a honeycomb web of a beehive, built with small portholes. Each porthole has miniature windows and carved sandstone grills, finials and domes. It gives the appearance of a mass of semi-octagonal bays, giving the monument its unique façade. The inner face on the back side of the building consists of need-based chambers built with pillars and corridors with minimal ornamentation, and reach up to the top floor. The interior of the Mahal has been described as "having rooms of different coloured marbles, relieved by inlaid panels or gilding; while fountains adorn the center of the courtyard".
Lal Chand Ustad was the architect of this unique structure. Built in red and pink coloured sand stone, in keeping with the décor of the other monuments in the city, its colour is a full testimony to the epithet of "Pink City" given to Jaipur. Its facade depicting 953 niches with intricately carved jharokhas (some are made of wood) is a stark contrast to the plain looking rear side of the structure. Its cultural and architectural heritage is a true reflection of a fusion of Hindu Rajput architecture and the Islamic Mughal architecture; the Rajput style is seen in the form of domed canopies, fluted pillars, lotus and floral patterns, and the Islamic style as evident in its stone inlay filigree work and arches (as distinguished from its similarity with the Panch Mahal - the palace of winds - at Fatehpur Sikri)
The entry to the Hawa Mahal from the city palace side is through an imperial door. It opens into a large courtyard, which has double storeyed buildings on three sides, with the Hawa Mahal enclosing it on the east side. An archaeological museum is also housed in this courtyard.
Hawa Mahal was also known as the chef-d'œuvre of Maharaja Jai Singh as it was his favourite resort because of the elegance and built-in interior of the Mahal. The cooling effect in the chambers, provided by the breeze passing through the small windows of the façade, was enhanced by the fountains provided at the centre of each of the chambers.
The top two floors of the Hawa Mahal are accessed only through ramps. The Mahal is maintained by the archaeological Department of theGovernment of Rajasthan.

Visitor information

The palace, called a "specimen of fanciful architecture", is located to the south of the Jaipur city, at the main road intersection called the Badi Chaupad (big four square). Jaipur city is well connected by road, rail and air links with the rest of the country. Jaipur Railway Station is a central main station on the broad gauge line of the Indian Railways. As well, Jaipur is connected by major roads, and by the International Airport at Sanganer, at a distance of 13 kilometers (8.1 mi) from the city.
Entry to the Hawa Mahal is not from the front but from a side road to the rear end. Facing the Hawa Mahal, turning right and again to the first right, leads to an archway entry and then to the rear side of the building.
It is particularly striking when viewed early in the morning, lit with the golden light of sunrise.








Padharo Mhare Des..

Sunday, 14 August 2016

Shekhawati

Shekhawati is a semi-arid historical region located in the northeast part of RajasthanIndia.
Shekhawati is located in North Rajasthan comprising districts like JhunjhunuSikarChuru and Nagaur. History has it that in the 18th and 19th centuries, Marwari merchants constructed these grand havelis in the Shekhawati region. Steeped in wealth and affluence, these merchants got busy outdoing others in building more grand edifices - homes, temples, step wells which were richly decorated both inside and outside with painted murals. It is bounded on the northwest by the Jangladesh region, on the northeast by Haryana, on the east by Mewat, on the southeast byDhundhar, on the south by Ajmer, and on the southwest by the Marwar region.
Its area is 13784 square kilometers. The inhabitants of Shekhawati are considered brave, sacrificing and hard working people.

Etymology of Shekhawati

Shekhawati was first mentioned in the book Bankidas ki Khyat. Contemporary of Bankidas was Colonel W.S.Gardener, who used the word Shekhawati in the year 1803. Later Colonel James Tod wrote the first history of Shekhawati. The term Shekhawati was used frequently in Vamsh Bhaskar. This suggests that the term Shekhawati came in use about two and half centuries ago. Shekhawati is named after Rao Shekha.

Geographydit]

Shekhawati region of Rajasthan
Shekhawati is in a desert area of Rajasthan and has special importance in the history of India.
The natural climatic conditions in the region are very harsh and extreme. The temperature ranges from below 0 °C (32 °F) in winter to more than 50 °C (122 °F) in summer. The summer brings hot waves of air called loo. Annual rainfall is at around 450 to 600 mm. The groundwater is as deep as 200 feet (60 m), and in some places, the groundwater is hard and salty. The people in the region depend on rainwater harvesting. The harvested rainwater from the monsoon season (during July and August) is stored in pucca tanks and used throughout the year for drinking purposes.

Shekhawati dialect

Shekhawati is a dialect of the Rajasthani language and is spoken by about three million speakers in the ChuruJhunjhunu, and Sikar districts of Rajasthan. Even though it is a very important dialect from the grammatical and literary points of view, very little work is carried out on it. In 2001 a descriptive compendium of the grammar of Shekhawati was published. Shekhawati, like the Bagri dialect of Ganganagar and Hanumangarh districts, has a parallel lexicon which makes it very rich from the lexicographical point of view. Word order is typically SOV and there is an existence of implosives. The presence of high tone atsuprasegmental level classifies it with other dialects of Rajasthani. It has contributed a lot to the development of Rajasthani language and linguistics.

Some samples in Shekhawati are:
  • Kai Hoyo? कै होयो? = What happened ?
  • The Kai kar rieya ho? थे कै कर रिया हो?= What are you doing ?
  • Ma Thane ghano samman desyu. मैं थाने घणो सम्मान देस्यु = I will give you great respect.
  • The sidh ja riya ho? थे सिद्ध जा रिया हो?= Where are you going?
  • The ke kha rahiya ho? थे के खा रहिया हो ? = What are you eating?

History

Ancient history

Main article: Matsya Kingdom
Many historians have considered this region included in the Matsya KingdomRigveda also provides certain evidences in this matter. Manusmriti has called this land as 'brahmrishi desha'.
Shekhawati region was included in 'marukantar desha' up to Ramayana period. Out of 16 mahajanapadas prior to Buddha, only two janapadas, namely Avanti and the Kingdom of Viratawere counted in Rajasthan area. This region was also influenced by Avanti but later on Nandas of Magadha defeated Avanti. Historians believe that Mauryas obtained the Rajasthan fromNandas.
In ancient times Shekhawati was not limited to the present two districts. During the Mahabharata period it was known as Matsya Kingdom and extended to the Sarasvati River. This was because the first clan ruling this region, in the Mahabharata period, were descendants of fishermen. So the Vedas were supposed to be written and compiled on this very land. During ancient times this region was divided into several janapadas. Every janapada was a free republic state. The development of janapadas in Rajasthan started with habitation of Aryan. The northern part of Rajasthan was known as Jangladesh (Bikaner and Nagaur) during Mahabharata period. and eastern part Jaipur-Alwar were called the Matsya KingdomPandavas had spent one year of their vanishment in this Kingdom of Virata as their abode, to live in anonymity, after the expiry of their twelve-year-long forest life. Dhosi Hill, the revered Hill, bordering Haryana, famous for Chyavana Rishi's Ashram, and place where Chyawanprash was formulated for the first time has extensive mentions in the epic Mahabharat in Vanparv. According to Vimal Charanlal, this Kingdom of Virata extended from Jhunjhunu to Kotkasim 109 km in the north, Jhunjhunu to Ajmer 184 km in the west, Ajmer to Banas and up to confluence of Chambal River 229 km in the south. The capital of this Kingdom of Virata was Bairat.
After the collapse of Gupta dynasty, Shekhawati's some parts like JhunjhunuFatehpurNarhar were controlled by the Kaimkhanis, until they were defeated by Shekhawat Rajputs.
Kaimkhani is a branch emerged from Chauhans. The first progenitor of Kaimkhanis was Karamchand, born in the family of Moterao of Chauhan clan, the ruler of DadrewaFiruz Shah Tughluq converted him to Islam and named him Kaimkhan. Thus his descendants were called Kaimkhani.

Shekhawat Rule

Bawdi in Fatehpur
Laxmangarh fort in Laxmangarh nearSikar
Shekhawati was established by Shekhawat Rajputs and it was ruled by them until India's independence.
Rao Shekha Ji from Dhundhar established his own independent kingdom with the capital at Amarsar. He was the first independent ruler. After him, Rao Raimal, Rao Suja and Rao Lunkaran become the rulers of Amarsar. Rao Manohar succeeded his father Rao Lunkaran and founded Manoharpur later renamed Shahpura (The present ruler of Shahpura is the Tikai of Shekhawat subclan). Shekhawats conquered the Jhunjhunu, Fatehpur, Narhar of Kaimkhanis and established their rule on them.
Shekhawati was the largest Nizamat in the state of Jaipur, which is almost entirely occupied by Shekhawats. The Shekhawat chieftains of the region retained a nominal loyalty to the Kachwaha Rajput's capital state of Jaipur(Amer), who in turn honoured them with the hereditary title of Tazimi Sirdars. The rulers of the Shekhawati's Thikanas were the Shekhawat sub clan of the Kachwaha Dynasty of the Jaipur Princely State. Shekhawats was the most prominent among all the Kachawas of Jaipur. Colonel J.C. Brooke, in his book Political History of India, wrote that for the recruitment of cavalry, there is no region in India at par with Shekhawati.

Culture, heritage and tourism

Architecture

Mandawa Fort was built by Thakur Nawal Singh Bahadur in 1755. In the zenana (women's quarters), various rooms offer different themes. One room has antique murals, another has a marble fountain, while the turret room has walls that are 7 feet (2.1 m) thick. Diwankhana, the formal drawing room, is decorated with family portraits and an array of antique armour.The Shekhawats built forts in their thikanas. At every thikana in Shekhawati, there was a fort. More than 50 forts and palaces were built by Shekhawat Rajas. Today, many of them are hotels.
  • Vivaana Culture Hotel is a meticulously restored 19th century Shekhawati Haveli, featuring luxuriously decorated rooms and suites. Handmade oversized beds, goose down pillows and intricate detailing make the property one of the most elegant and comfortable culture hotels in Rajasthan.
  • Dundlod Fort dates back to 1750 AD. Steps lead up to the Diwan Khana, which is furnished with portraits, hangings, and period furniture. It also houses a library and portraits done in the European style.
  • The Roop Niwas Kothi Palace was established as a large country house by Rawal Madan Singh, former ruler of Nawalgarh. It is popularly known as Rawal Sab Ki Kothi in Nawalgarh. It sits on over 100 acres (0.40 km2) of land. The facade is painted in ochre that lends it dignity. The hotel organises horse safaris and has stables at the back side.
  • Mukundgarh Fort was built by Thakur Mukund Singh Ji. He established Mukundgarh in 1859 and the fort was built in a traditional style and spreads over 2 acres (8,100 m2) of land. It has several courtyards, overhanging balconies, arched windows and corridors.
  • Narain Niwas Castle, or Mahansar Fort, was built in 1768 by Thakur Nahar Singh. It has an imposing entrance reached by flight of stairs. It also has many wall paintings.
  • Alsisar Mahal (Alsisar Fort), a battle-hardened fort, was the residence of the Thakur of Alsisar.
  • Dera Danta Kila (Danta Fort), two fortresses straddle the hills, their foundations laid in 1702 to house the army, the stables, and the royal residence of Thakur Amar Singh
  • Castle Pachar
  • Arooka Castle
  • Surajgarh Fort built by Surajmal Singh of Bissau in 1778.
  • Bissau Fort built in 1746 by Kesri Singh of Bissau.The best and strongest war fort in shekhawati with 7 burj's and double courtyard.The walls were never breached.
  • Tamkor Fort(Bishangarh)built in 1767 by Kesri Singh of Bissau.
  • Nua Fort built by Kesri Singh of Bissau in 1755.
  • Shyamgarh(jhunjhunu) built by Shyam Singh of Bissau in 1805.

Havelis, temples and frescoes

This temple built by Shekhawat ruler of Nawalgarh
Shekhawati painted houses.
In Shekhawati, frescoes were initially introduced by Shekhawat Rajputs in their forts and palaces. The towns in Shekhawati are known for their painted Havelis. This region has been recognized as the "open art gallery of Rajasthan" having the largest concentration of fresco in the world.
The Marwaris from Marwar was an influential business community in Shekhawati, and they prospered until the beginning of the 19th century, due to the caravan routes that crossed the area to reach the ports of Gujarat. However, from 1820 onward, many left their families behind and migrated to CalcuttaBombay, and Madras, which were gaining importance as main trade centers where they had great financial success. The descendants of these rich merchants have permanently settled down in the towns their ancestors migrated to. The Shekhawati region has produced large number of Marwaris who are dominant factor in the economy of India. About 80 percent of big industrial houses are managed by Marwaris. India's richest industrialists of the century, such as the Birlas and Dalmia, are Marwaris. Today, the main trading and industrial houses of India have their roots in Shekhawati.
Between 1830 and 1930, they erected buildings in Shekhawati, their homeland, as evidence of their success. As the ultimate symbol of their opulence, the Marwaris commissioned artists to paint those buildings.
Most of the buildings of the Shekhawati region were constructed in between the 18th century and the early 20th century. During the British occupation, traders adapted this style for their buildings. The havelis are noted for their frescos depicting mythological and historical themes. The frescos include images of gods, goddesses, animals, and the life of the lords Rama and Krishna, profusely painted on the havelis in this region.
Marwaris have played an important role in the development of Shekhawati. Their major contribution to the Shekhawati region is in the field of education. Marwaris have also played a leading role in the Indian independence movement.

Tourist attractions

  • Forts & Castles
  • Horse Safaris
  • The Heritage on Wheels, a luxury tourist train on meter gauge, takes you to the lesser known and colourful area of Shekhawati Region. Heritage on Wheels is a luxury train in Rajasthan by RTDC and Indian Railways.
  • Havelis
  • Fairs and Festivals